Frankenstein: Co-review

Pelopida: Review

Cabinet of Curiosities (Valletta Baroque Festival): Review

Goldberg Variations (Valletta Baroque Festival): Review

Eħlisna mid-Deni: Review

Malta Philharmonic Orchestra’s Beethoven & Mahler Concert: Review

Bugonia: Review

MYO Christmas Concert: Review

The Kritikarti Quiz of 2025! [Round:3]

The Kritikarti Quiz of 2025! [Round:2]

The Kritikarti Quiz of 2025! [Round:1]

SUGAR, STONE, SEA: Review

Kritikarti Talks: A Christmas Film Report

Chucky’s Solo Panto – Jack and the Beanstalk: Review

XitwaŻfin | Winter Dance: Review

MPO Chamber Series Jane Austen: Review

Malta Philharmonic Orchestra’s Shostakovich 50th Anniversary Concert: Review

Antler Cry: Review

The Nutcracker: Review

Borma Tbaqbaq — Il-Lingwa tal-Kċina: Review

Radiohead X Nosferatu: Review

The Spaces Between: Review

Uncover/Discover: Review

SITT ĠRAJJIET U NAQRA GĦALA SPIĊĊAJNA (KIF SPIĊĊAJNA): Review

Chasing Rainbows: Review

Planet Much N’ Stuff: Review

Cabinet of Miracles: Review

SOFIE: Review

Kafè Kolombja: Review

Simshar: Review

All’s Fair: Review

Il Parnaso confuso & La Corona: Review

Death, Transcendence, Resurrection: Mozart’s Requiem … & Other Works: Review

Urchin: Review

Eddington: Review 

The Wild Robot: Review 

Savages: Review

Fjura tas-Sabbara Fjura tax-Xadina: Review

Naħliflek: Review

Beyond What Drifts Us Apart: Review

Wens: Comfortable Silence: Review

Deaf: Review

Parthenope: Review

Young Mothers: Review

The Roses: Review

‘Still Life | Life, Still’: Review

The Kiritikarti Mid-Year Film Report

Il-Każin tal-Imqarbin: Review

Colourful Threads – an encounter with Kassia St Clair: Review

In My Dream: An Encounter with Ubah Ali Farah & Franco Tartaglia: Review

All the Wor(l)d’s a Stage: Review

An Archaeology of Words: Literary Genres as Sites of ExcavationAn Archeology of Words: Review

Kritikarti Talks: Tpespis fil-Librerija ma’ Leanne Ellul

The White Ribbon: Review

Minore: Review

AMOUR (Love): Review

Safe Haven: Review

Ċiċri fl-Urban: Review

Coastal Commons: Review

Kritikarti Talks: Davide Tucci on Minore

Shakespeare: The Pub Trilogy (Audience Choice): Review

Dance Festival Malta’s Third Evening Unfolds: Review

HIDDEN(Caché): Review

The Piano Teacher (2001): Review

FAMEHUNGRY: Review

Boċċi, The Musical: Review

The Salt Path: Review

Imbagħad il-Qiegħ ta’ Murad Shubert: Review

The Phoenician Scheme: Review

 Il Mio Corpo è (Come) Un Monte: Review

Between Heaven and Hell – Malta Philharmonic Orchestra: Review

Music Painted by Caravaggio: Review

M.A.D., Sixth Edition: A Critical Reflection

Ravel – Satie: Review

We Three Kings: Review

Branding Wes Anderson: Style, Substance, and the Cult of Wes

Demm, semm u hemm għal Erbgħin Jum: Review

Final Destination: Review

Every Saint Has a Past and Every Sinner Has a Future: Review

Chronicles in Colour: Review

magnolia: Review

Techrail: Review

Mortal Heroes: Review

Pan’s Labyrinth: Review

Four Mothers: Review

The Matrix: Review

Parthenope: Review

The Ugly Stepsister: Review

Into the Woods: Review

Il-Manifest tal-Qlub Maqsuma: Review

Hamlet Hail to the Thief: Review

World Dance Day: Authenticity & Community in Malta’s Dance Ecosystem

Small Bones of Courage: Review

The Handmaid’s Tale Season 6 (Ep1-3): Review

Is-Siġġijiet: Review

Silence Within Abundant Birdsong Exhibition: Review

Is-Surmast: Review

Blanket Ban: Review