Sometimes the smallest of films can have the biggest of hearts.
Four Mothers, an Irish comedy-drama from Darren Thornton, is such a film: a hilarious and touching mother-and-son tale that’s absolutely brimming with charm.
The story follows Edward (James McArdle), a gay Irishman approaching middle age, whose writing career is about to take off with the book tour for his debut novel. However, things are complicated by his personal life, as he is the sole caregiver for his elderly, mute mother Alma (Fionnula Flanagan). Matters become even messier when three of Edward’s friends dump their own mums on him so they can enjoy a break in Spain for a Pride festival. Thus, Edward must juggle caring for four elderly ladies while managing the biggest professional opportunity he’s ever had.
The film is, in fact, a loose remake of the Italian film Mid-August Lunch (2008). While the setting and characters may be entirely different, it’s a sign of how universal the story is, given that it works on opposite ends of a continent. This film is deeply rooted in its Irish locale, and its protagonist is unashamed of his homosexuality. But the main theme here is family—and it’s a story that audiences all over the globe, of any orientation, will be able to relate to.
Thornton has an impeccable grasp of tone, seamlessly interweaving moments of pathos and humour. From the hilarious video messages Edward receives from his so-called mates to the clash of characters among the titular four mothers, the film is hugely entertaining. It recalls the breezy style of Alexander Payne’s comedy-dramas, notably Sideways and About Schmidt. Thornton is blessed with note-perfect performances from his cast.
Flanagan is a familiar face to movie lovers—an always-reliable supporting star of Hollywood flicks ranging from The Others to Yes Man. While the part strips her of her voice, she nonetheless delivers a bravura turn, a tough exterior hiding real vulnerability. It’s McArdle who is the standout here, though—showing not just excellent comic timing, but also delivering a hugely sympathetic portrayal of a man caught in an impossible set of circumstances.
This is the kind of movie that needs to be championed: relatable, moving stories anchored by a superb cast and a witty script. It’s surprising how rare such a simple, winning formula can be.
One of the feel-good films of the year. A heartfelt, compassionate comedy that’ll warm you for days.
